Manipulating micro-rhythm and micro-timing in digital music creation, with a focus on mixing music: three general perspectives

Authors

  • Jan-Olof Gullö Royal College of Music
  • Gary Bromham Queen Mary University of London

Keywords:

Music Production, Micro-timing, Haas-effect, Groove, Lip-sync

Abstract

Our research project, "Searching for Sophia [Wisdom] in Music Production," explores the critical factors contributing to successful music production by examining it across music education, musicology, psychology, and sociology. This ongoing sub-project focuses on micro-rhythm and micro-timing manipulation in digital music production, particularly during mixing and post-production. Micro-timing adjustments, which involve small temporal shifts of audio tracks, enhance phase coherency and alter groove perception, impacting the listener's experience. Drawing on the Haas effect, we conducted experiments using micro-timing strategies in drum recordings and other instruments, revealing the influence of micro-timing on groove and sound unity. Future studies will explore the influence of micro-timing on audiovisual productions and listener perception.

Downloads

Published

2026-06-24

Conference Proceedings Volume

Section

Academic - oral presentation